Both factories are so inefficient they make hardly any contribution to the Nazi war effort. His insight here is that no one would walk into Auschwitz on such a mission if he were not the real thing. His second makes shell casings. But his restraint and passion are present in every shot. The film is really two parallel character studies--one of a con man, the other of a psychopath. Schindler's strategy as a con man is to always seem in charge, to seem well-connected, to lavish powerful Nazis with gifts and bribes, and to stride, tall and imperious, through situations that would break a lesser man. Schindler is also something of a cipher, just as he was for Thomas Keneally, whose 1982 book, "Schindler's List," marked a daring synthesis of fiction and fact. There are arbitrary murders and mass killings, Nazi commanders compare Jews to rats, children are killed, and there are scenes of shocking, grisly … And then it strikes us, with the force of a blow: Those are Schindler's Jews. But there is no moment when Schindler and Stern bluntly state what is happening, perhaps because to say certain things aloud could result in death. Spielberg's unique ability in his serious films has been to join artistry with popularity--to say what he wants to say in a way that millions of people want to hear. He is stealing wheelbarrows. He bribes, he wheedles, he bluffs, he escapes discovery by the skin of his teeth. The film's ending brings me to tears. Because the factory is a protected war industry, a job there may guarantee longer life. Then he redirects a trainload of his male workers from Auschwitz to his hometown in Czechoslovakia. On that basis, Spielberg's epic tips the scales. Soul! If they can die arbitrarily at his whim, then both protest and adherence are meaningless, and useless. Schindler leaves it to Stern, and Spielberg leaves it to us; the movie is a rare case of a man doing the opposite of what he seems to be doing, and a director letting the audience figure it out itself. He does not find it monstrous that her people are being exterminated, and she is spared on his affectionate whim. The measure of Schindler's audacity is stupendous. All around its margins lies the gulf.". He sees his personal needs as more important than right or wrong, life or death. Shooting in black and white on many of the actual locations of the events in the story (including Schindler's original factory and even the gates of Auschwitz), Spielberg shows Schindler dealing with the madness of the Nazi system. His screenplay, by Steven Zaillian, based on the novel by Thomas Keneally, isn't based on contrived melodrama. His goal was to become a millionaire. He does so without the tricks of his trade, the directorial and dramatic contrivances that would inspire the usual melodramatic payoffs. This movie was produced and directed by Steven Spielberg. It was meant to teach humans to learn from their mistakes, and never let them happen again. Schindler's List, despite blatant compromises, is a rending historical document. Watch Out! The movie is brilliantly acted, written, directed and seen. This subtlety is Spielberg's strength all through the film. Some of the most dramatic scenes in the movie show Schindler literally snatching his workers from the maw of death. Why, Oskar Schindler, of course. (Winston, 2016). Stern, of course, quickly figures out that Schindler's real game is not to get rich but to save lives. Keneally was inspired to write the book when he met Poldek Pfefferberg, a Holocaust survivor, who had extensive files about Schindler. (Schindler is able to talk him out of this custom with an appeal to his vanity so obvious it is almost an insult.) When the women's train is misrouted to Auschwitz in error, Schindler boldly strides into the death camp and bribes the commandant to ship them back out again. What is most amazing about this film is how completely Spielberg serves his story. Individual scenes are masterpieces of art direction, cinematography, special effects, crowd control. But for Schlinder's List to be all things to all people is beyond even this director, hard as he tries to exorcise his own demons and, in so doing, some of ours. The fact that he was flawed - a drinker, a gambler, a womanizer, driven by greed and a lust for high living - makes his life an enigma. We also see the Holocaust in a vivid and terrible way. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. His first factory makes pots and pans. He rescues Stern from a death train. It ends with a list of some who were saved. With Liam Neeson, Ralph Fiennes, Ben Kingsley, Caroline Goodall. Nominated for Outstanding Debut Feature at Cinema Eye Honors, Celebrate The HistoryMakers 20@2020: 20 Days and 20 Nights Streams Online Through December 20th, The Mandalorian Chapter 15 Recap: Those Poor Mudscuffers, The Godfather Coda: The Death of Michael Corleone. Schindler's List was also meant to incite the World War II generation to remember what happened. Read honest and unbiased product reviews from our users. Individual scenes are masterpieces of art direction, cinematography, special effects, crowd control. Here is a man who saw his chance at the beginning of World War II and moved to Nazi-occupied Poland to open a factory and employ Jews at starvation wages. Who is this man? Schindlers List, قائمة شندلر Genres. There is that ancient story about how the guards search the thief's wheelbarrow every day, unable to figure out what he is stealing. That would be too simple. The ordinary man who was just "following orders" might have disturbed the focus of the film--although he would have been in contrast with Schindler, an ordinary man who did not follow orders. The authorities are happy to help him open a factory to build enameled cooking utensils that army kitchens can use. His very boldness is his shield. Spielberg gives us a Nazi prison camp commandant named Goeth (Ralph Fiennes) who is a study in the stupidity of evil. He dresses expensively and frequents nightclubs, buying caviar and champagne for Nazi officers and their girls, and he likes to get his picture taken with the top brass. The terror of the Holocaust comes not because a monster like Goeth could murder people, but because thousands of people snatched from their everyday lives became, in the chilling phrase, Hitler's willing executioners. The film's message is that one man did something, while in the face of the Holocaust others were paralyzed. Check out Schindlers List Audience Review. 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